The feminist bestseller : from Sex and the single girl to Sex and the city/ by Imelda Whelehan

By:

Whelehan, Imelda

Material type: Text

TextPublication details: New York, USA: Palgrave Macmillan, 2005.Edition: 1st edDescription: viii, 236 pages ; ill.; 23 cmISBN:

9781403911223

Subject(s):

DDC classification:

823.91409 WHF

Contents:

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Summary: The author provides an overview of popular feminist fiction from the late 1960s to the end of the 1990s, looking at how key feminist texts such as The Women's Room, Kinflicks and Fear of Flying have influenced popular contemporary works such as Bridget Jones' Diary and Sex and the City. Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past thirty years and suggests that even so-called post-feminist writing owes an enormous debt to feminism's second wave

Item type:

Books

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Holdings
Item type	Current library	Collection	Shelving location	Call number	Copy number	Status	Date due	Barcode
Books	KU Central Library	Rack No. : 52 Annex : 01 Shelve No. : A-01	Reference Section (Non-Issuable Books)	823.91409 WHF 2005 (Browse shelf(Opens below))	C-1 (NI)	Not For Loan		53761

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Previous	823 BRW 2003 Wuthering Heights /	823 HOL 1995 Love, mystery, and misery : feeling in gothic fiction /	823.5 SWG 2002 Gulliver's travels : based on the 1726 text : contexts :criticism /	823.91409 WHF 2005 The feminist bestseller : from Sex and the single girl to Sex and the city/	909.09821 COW 2008 Western Civilizations : Their History & Their Culture /

includes bibliography & index

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The author provides an overview of popular feminist fiction from the late 1960s to the end of the 1990s, looking at how key feminist texts such as The Women's Room, Kinflicks and Fear of Flying have influenced popular contemporary works such as Bridget Jones' Diary and Sex and the City. Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past thirty years and suggests that even so-called post-feminist writing owes an enormous debt to feminism's second wave

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