The elements of story : field notes on nonfiction writing/ by Francis Flaherty
Material type:
- 9780061689154
- 808.543 FLE

Item type | Current library | Collection | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
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KU Central Library | Rack No. : 52 Annex : 01 Shelve No. : A-01 | Reference Section (Non-Issuable Books) | 808.543 FLE 2010 (Browse shelf(Opens below)) | C-1 (NI) | Not For Loan | 51832 |
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801.95 BEF 2022 Formalism and Marxism / | 808.0668 BAS 2006 A short guide to writing about literature/ | 808.51 CAA 2018 The Art Of Public Speaking/ | 808.543 FLE 2010 The elements of story : field notes on nonfiction writing/ | 809 HAI 1996 Imagining Culture : Essays in Early Modern History and Literature / | 809 HAI 1996 Imagining Culture : Essays in Early Modern History and Literature / | 809.8896 THD 2024 মনোজগতের বিউপনিবেশায়ন (Decolonising the mind) : আফ্রিকার সাহিত্যে ভাষার রাজনীতি (the politics of language in African literature)/ |
Includes index.
Part 1. A HUMAN FACE.
Every story, even the driest, has a human face. Draw it well and put it on display, for to readers it is a mirror and a magnet
Part 2. THE THEME.
The writer must be loyal to his major theme. He must study all its facets, and he must tamp down other topics that threaten to displace or diminish it
pt. 3. MOTION.
Good stories are a brisk journey, and the reader can always feel the breeze in his hair
Stroke and glide: all stories are divided into two parts: the action, and the commentary
Part 4. ARTFULNESS.
The artful writer sees what others see. He just sees it in a drawn-fresh way
The smell of pleather: the five senses are a writer's most formidable tools
pt. 5. TRUTH AND FAIRNESS.
Writing is an art, and art bestows a license. But the license is a limited one, and it never sanctions material omission or unfair play
pt. 6. LEADS AND OTHER ARTICLE PARTS.
Leads and settings, transitions and kickers: each part of an article demands its own peculiar art
pt. 7. THE BIG TYPE.
Titles and subtitles are turbocharged text. They are your work distilled.
Summary: A writer's reference by a "New York Times" editor shares fifty strategies for writing successful nonfiction narratives, in a lighthearted guide that draws on real-world examples and incorporates tales from his work in the newsroom
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