Logo
Local cover image
Local cover image

The elements of story : field notes on nonfiction writing/ by Francis Flaherty

By: Material type: TextTextPublication details: New York: Harper; 2010Edition: 1st edDescription: xxi, 293 pages ; 21 cmISBN:
  • 9780061689154
Subject(s): DDC classification:
  • 808.543 FLE
Contents:
Part 1. A HUMAN FACE.
Every story, even the driest, has a human face. Draw it well and put it on display, for to readers it is a mirror and a magnet
Part 2. THE THEME.
The writer must be loyal to his major theme. He must study all its facets, and he must tamp down other topics that threaten to displace or diminish it
pt. 3. MOTION.
Good stories are a brisk journey, and the reader can always feel the breeze in his hair Stroke and glide: all stories are divided into two parts: the action, and the commentary
Part 4. ARTFULNESS.
The artful writer sees what others see. He just sees it in a drawn-fresh way The smell of pleather: the five senses are a writer's most formidable tools
pt. 5. TRUTH AND FAIRNESS.
Writing is an art, and art bestows a license. But the license is a limited one, and it never sanctions material omission or unfair play
pt. 6. LEADS AND OTHER ARTICLE PARTS.
Leads and settings, transitions and kickers: each part of an article demands its own peculiar art
pt. 7. THE BIG TYPE.
Titles and subtitles are turbocharged text. They are your work distilled.
Summary: Summary: A writer's reference by a "New York Times" editor shares fifty strategies for writing successful nonfiction narratives, in a lighthearted guide that draws on real-world examples and incorporates tales from his work in the newsroom
Item type: Books List(s) this item appears in: Mass Communication & Journalism Discipline
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)

Includes index.

Part 1. A HUMAN FACE.

Every story, even the driest, has a human face. Draw it well and put it on display, for to readers it is a mirror and a magnet

Part 2. THE THEME.

The writer must be loyal to his major theme. He must study all its facets, and he must tamp down other topics that threaten to displace or diminish it

pt. 3. MOTION.

Good stories are a brisk journey, and the reader can always feel the breeze in his hair
Stroke and glide: all stories are divided into two parts: the action, and the commentary

Part 4. ARTFULNESS.

The artful writer sees what others see. He just sees it in a drawn-fresh way
The smell of pleather: the five senses are a writer's most formidable tools

pt. 5. TRUTH AND FAIRNESS.

Writing is an art, and art bestows a license. But the license is a limited one, and it never sanctions material omission or unfair play

pt. 6. LEADS AND OTHER ARTICLE PARTS.

Leads and settings, transitions and kickers: each part of an article demands its own peculiar art

pt. 7. THE BIG TYPE.

Titles and subtitles are turbocharged text. They are your work distilled.

Summary: A writer's reference by a "New York Times" editor shares fifty strategies for writing successful nonfiction narratives, in a lighthearted guide that draws on real-world examples and incorporates tales from his work in the newsroom

There are no comments on this title.

to post a comment.

Click on an image to view it in the image viewer

Local cover image
All rights reserved © Khulna University 2025.

Powered by Koha