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Beauty and art 1750-2000: Elizabeth Prettejohn.

By: Material type: TextTextSeries: Oxford history of artPublication details: Oxford: Oxford University Press, 2005. Edition: 1st edDescription: 224 pic. 24ISBN:
  • 0192801600
Subject(s): DDC classification:
  • 701.170903 PRB
Contents:
Chapter 1: Eighteenth-century Germany: Winckelmann and Kant.
Chapter 2: Nineteenth-century France: From Staël to Baudelaire.
Chapter 3 :Victorian England: Ruskin, Swinburne, Pater;
Chapter 4: Modernism: Fry and Greenberg.
Summary: What do we mean when we call a work of art `beautiful`? How do perceptions of beauty change with the passage of time? Elizabeth Prettejohn explores these crucial questions, showing the vital relationship between our changing notions of beauty and specific works of art. She charts the story of western art, from eighteenth-century Germany to the late 20th century, from Kauffman to Whistler, Ingres to Rossetti, C--eacute--;zanne to Jackson Pollock. - ;What do we mean when we call a work of art `beautiful`? How have artists responded to changing notions of the beautiful?
Item type: Books List(s) this item appears in: Sculpture Discipline
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Holdings
Item type Current library Collection Shelving location Call number Copy number Status Date due Barcode
Books Books KU Central Library Rack No. : 48 Annex : 01 Shelve No. : A-01 Reference Section (Non-Issuable Books) 701.170903 PRB 2005 (Browse shelf(Opens below)) C-1 (NI) Not For Loan 51537

Includes index and illustrations.

Chapter 1: Eighteenth-century Germany: Winckelmann and Kant.

Chapter 2: Nineteenth-century France: From Staël to Baudelaire.

Chapter 3 :Victorian England: Ruskin, Swinburne, Pater;

Chapter 4: Modernism: Fry and Greenberg.

What do we mean when we call a work of art `beautiful`? How do perceptions of beauty change with the passage of time? Elizabeth Prettejohn explores these crucial questions, showing the vital relationship between our changing notions of beauty and specific works of art. She charts the story of western art, from eighteenth-century Germany to the late 20th century, from Kauffman to Whistler, Ingres to Rossetti, C--eacute--;zanne to Jackson Pollock. - ;What do we mean when we call a work of art `beautiful`? How have artists responded to changing notions of the beautiful?

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